They are children
running out
into the street
because we can't watch them all.
The traffic
going once more
to their daily grind
hits them
without a thought
and doesn't stop.
We turn away
and try not
to take the blame.
Wednesday, February 25, 2009
Sunday, February 22, 2009
I Am There
This year,
the purple is
unnecessary;
the covering of the statues,
the desert atmosphere,
bare branches on the altar
and sand
in the holy water font.
It is not necessary
to contrive a season
of mourning.
It is not necessary
to manufacture
the tiresome, ashen, darkness
to get in touch with the reality of
my spiritual poverty.
I am there.
the purple is
unnecessary;
the covering of the statues,
the desert atmosphere,
bare branches on the altar
and sand
in the holy water font.
It is not necessary
to contrive a season
of mourning.
It is not necessary
to manufacture
the tiresome, ashen, darkness
to get in touch with the reality of
my spiritual poverty.
I am there.
My Own Lent
the purple curtain
d
e
s
c
e
n
d
s
upon the setting sun
bringing with it my own Lent
replete with
leafless branches
waiting to bud
and desert sand
thirsting
for cool relief.
d
e
s
c
e
n
d
s
upon the setting sun
bringing with it my own Lent
replete with
leafless branches
waiting to bud
and desert sand
thirsting
for cool relief.
Saturday, February 14, 2009
Friday, February 6, 2009
Tuesday, February 3, 2009
Detour
Her mind,
unwilling,
or unable
to intertwine and commingle
with the increasingly impenetrable
extent of her helplessness,
creates its own intricate version
of the genesis of her fears.
Once familiar objects
are no longer recognized,
placed there, she says, by others.
They become a threat.
She sees change where none exists,
instead of recognizing
the changes
in herself.
How do we wake her
from one nightmare
to the other?
Which is worse when you are 81--
the imagination
or the reality?
unwilling,
or unable
to intertwine and commingle
with the increasingly impenetrable
extent of her helplessness,
creates its own intricate version
of the genesis of her fears.
Once familiar objects
are no longer recognized,
placed there, she says, by others.
They become a threat.
She sees change where none exists,
instead of recognizing
the changes
in herself.
How do we wake her
from one nightmare
to the other?
Which is worse when you are 81--
the imagination
or the reality?
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Poems © Gemma W. Wilson